Natural Limewash · NL-12

Soot

Reads as black from a distance and shows its true colour up close. The natural home for Soot is single feature walls behind joinery — and increasingly hotel lobby walls and lift cores. Pairs with marble, antique brass and richly grained timbers. In the Natural Limewash range, Soot reads as ash-soft near-black wash, built on a quiet, even-handed undertone and smoke-black pigment. Owes a small debt to smokehouse rustic, but doesn't ask the rest of the room to follow.

Where Soot works

Best used in feature wall, hospitality

Ash-soft near-black wash reads its best where the light is soft and consistent. Below are the rooms we've installed this shade in most often.

  • fireplace walls and bed-headboard recesses
  • hotel lobby walls and lift cores
Pairs with

Shades that sit beside Soot

Picked by family, warmth and tonal proximity within the same range.

Technical

How Soot is applied

Soot uses the standard Natural Limewash build. The technical specification is the same across colour — only the pigment changes.

Sheen options
chalky matt
Coverage
3–4 thin coats; final colour develops as it cures over 2–4 weeks.
Substrates
lime plaster, brick and stone, porous plasters, internal masonry
Sealer
Optional limewash fixative for high-traffic areas; usually unsealed.
Cleaning
Spot-touch with the same wash. Never wipe with detergents.
FAQs about Soot

Questions clients ask about this shade

Won't Soot make the room feel smaller?+

Deep shades like Soot actually blur a room's edges, making walls feel further away rather than closer. The trick is to wrap the colour onto skirting and trim so there are no high-contrast lines to remind the eye where the room ends.

How does Soot age over time?+

Soot develops a softer, slightly more powdery character as the limewash cures over the first 2–4 weeks. After that it stays stable but takes on the patina of handling and light.

What does Soot pair with from your range?+

We most often pair Soot with the three closest shades in its family — see the pairings panel below. Beyond that, it frames pale stone, brass, marble and warm-white plasterwork dramatically.